ONE:At last a letter came to say that Adrienne was free. She had been the last to be released from Plessis after the death of Robespierre had, to a great extent, stopped the slaughter and opened the prisons. Her captivity had lasted from October, 1793, till February, 1795; and now, very soon after her letter, Adrienne arrived with her two young daughters at Altona.Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.
TWO:On the morning of the 4th Thermidor a dagger had been mysteriously sent to Tallien, without a word of explanation. No one knew who had brought it; there it was upon his table. But he knew the dagger, and what it meant. It was a Spanish poignard which belonged to Trzia. It was then that he went and made his last and useless appeal to Robespierre. Trzia had again been removed to La Force, and on the 7th Thermidor he received a letter from her.
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